About Me

I am a former senior editor at Little, Brown Books for Young Readers with over a decade of experience editing acclaimed and bestselling books for children and young adults. I have edited more than 150 titles across a variety of genres, from picture books and poetry collections to middle grade and young adult novels, and I bring this depth of experience and industry knowledge to every project.

I love collaborating with authors and illustrators, helping to identify a work’s strengths and weaknesses, and ensuring that an author or illustrator’s vision is shining through from start to finish. Authors who have worked with me have called me “the very best kind of editor” (Suzanne Selfors), “my most valued editorial partner” (Margaret Stohl), “a fantastic resource of editorial wisdom for a first time novelist” (Kaia Moritz), and “everything I could have hoped for in an editor…her gentle guidance has made me actually love the revision process, something I have never experienced before” (Cheryl Renee Herbsman).

Books that I have edited have spent more than 125 combined weeks on the New York Times bestseller list and include the #1 New York Times bestselling Beautiful Creatures novels by Kami Garcia and Margaret Stohl; The Lucy Variations by National Book Award finalist Sara Zarr; Iron Hearted Violet by Newbery Medal winner Kelly Barnhill; the Imaginary Veterinary series by Suzanne Selfors, illustrated by Caldecott Medal winner Dan Santat; Lamda Literary Award finalist I Am J by Cris Beam; New York Times Best Illustrated Children’s Book Red Knit Cap Girl by Naoko Stoop; as well as titles with authors including Jennifer Brown, Jackson Pearce, April Lindner, and Jennifer Rush. Other clients include Bloomsbury (an imprint of Macmillan), Greenwillow (an imprint of HarperCollins), the Gernert Company, Writers House, and Greenhouse Literary.

Whether you are an author, illustrator, agent, packager, or publisher, I am available for a range of editorial services for children’s and young adult projects, including critiques; detailed editorial feedback; developmental and line editing; query, synopsis, proposal, and copy review; as well as consultation and coaching. I also have experience as a speaker and presenter for conferences, panels, and workshops. Please visit my portfolio to see some of the books I’ve edited; read testimonials from authors, publishers, and agents I’ve worked with; learn more about the editorial services I offer authors, illustratorsagents, and publishers; and contact me if you are interested in working together.

More about me: Growing up in Virginia gave me a passion for Southern food, air conditioning, and narratives with rural settings. I look for stories that are fresh and unique, whether in premise, art style, voice, setting, or mythology. My interests include realistic fiction, historical fiction, mystery, adventure, sci-fi, and fantasy. I love meeting characters whose voices leap off the page, books in which the setting becomes a character in itself, and stories that take a standard genre or trope and turn it into something completely unexpected.

Prior to my career in publishing, I interned at The Spectator magazine in London, England; ran summer literacy programs for K–6th graders; and routinely checked out the maximum number of books that my local library allowed.